[x.com profile] jeannette_ng's ‘Mulan’ Has a Message: Serve China and Forget About the Uighurs and Beyond Authenticity: the Spectre of Han Hegemony captured some of the thoughts that I've been trying to articulate about Han ethnocentrism and harmful tropes about the non-Han Other, for lack of better terms.

[x.com profile] KatjeXia's Twitter thread provided some specific examples that they've seen in wuxia on this topic.

[instagram.com profile] freeuyghurnow’s Everything Wrong with Disney Mulan summarized the current sociopolitical contexts in which Disney's 2020 live-action Mulan is released. (Transcript of the infographic is available here.)

[tumblr.com profile] diversireads's We Don't Need Your Hero & We Don't Need You to Mediate Our Relationship with Her: Four Chinese and Chinese American Adapations of the Ballad of Hua Mulan (which I believe was published in 2017 in response to Disney's live-adaption Mulan news) has some great reviews of Hua Mulan adaptions and additional historical notes about Hua Mulan (at the end of the post).

But Han ethnocentrism is something that I've been thinking more about recently after watching the Detective Dee film trilogy and when reading priest's webnovels, Sha Po Lang, Guardian and Lord Seventh. Like these works may have great wordbuilding and storytelling, but I also think they are pretty flawed and harmful in how they Othered non-Han characters and cultures. And when I continued to see trends in a series or body of work, it affects my enjoyment of the works, especially when I considered current and past sociopolitical contexts of Han Chinese colonialism and imperialism.

And sometimes the Othering may seem innocuous at first but may be equally harmful like as seen in my still much beloved series Nirvana in Fire as [personal profile] coffeeandink noted in her post about Nirvana in Fire and assimilation and as others previously discussed in this Tumblr thread: Nirvana in Fire, post-Episode 43 feels from [tumblr.com profile] thatbuildingisalsoastarbucks [Tumblr] & responses from [tumblr.com profile] gixininja [Tumblr].

Anyway, just something for me to continue thinking about when consuming Chinese media (e.g. dramas and webnovels) :)

One

Jan. 1st, 2011 11:59 pm
wistfuljane: sakura and tomoyo (cardcaptor sakura) holding hands (*hold hand*)
四十 by [archiveofourown.org profile] trascendenza for [archiveofourown.org profile] yuletide, Chinese Mythology(/Firefly) AU Gen, Cháng'é, Novella (17,082 words), G ( notes ).

四十 is tremendously satisfying in so many ways. It's a space opera reworking of the story of Cháng'é set in Firefly universe. I love not only how it subverts Firefly and redresses many of the series' problems -- cultural and racially being but two -- but also the scope of 四十 and all it tries to achieve.

Ultimately though, 四十 is the story of Cháng'é and I love her backstory and development as the story progresses, her relationships with her family and the women in the story.

serving grace by [livejournal.com profile] hazard_us for [livejournal.com profile] imaginarybeasts' Book #21, Original Fiction, Gen, Short (3,681 words), Not Rated ( notes ).

serving grace was written for [livejournal.com profile] imaginarybeasts' wuxia edition and it's a story of Lanfen, a young woman who works at an inn, and her encounter with Winter Tiger, a woman with long hair streaked with pure white -- an encounter that is just only the beginning of Lanfen's journey. I sort of love the reveal near the middle of the story and the relationships between Lanfen, Winter Tiger and Madam Yun (the owner of the inn) made the story for me.

Persuasion to Joy by [archiveofourown.org profile] sevenses for [archiveofourown.org profile] yuletide, Huâ Mùlán (2009), Princess of Róurán/Prince Wen Tai+Huâ Mù Lán, Short (1,936 words), G ( notes ).

Persuasion to Joy is not quite the future I imagine, but it's still one I hope for Princess of Róurán, Mù Lán and Wen Tai -- where their alliance, partnership and friendship endure -- and I love that it's a story about Princess of Róurán and her finding a place after the war.

Flying Blossoms* by [personal profile] damkianna, Avatar: the Last Airbender, Gen/Various, Various (~19,800 words), PG ( notes ).

Flying Blossoms is a collection of 10 themed five things stories, ranging from ~600 to 4,000 words, about the missing mothers of Avatar: the Last Airbender, their possible pasts, futures and presents. I love the glimpses of all these women and their untold stories and I wish for what could have been -- that their stories be told.
I'm still not finished with compiling my list of nominations for the Most Awesome Asian Characters & Celebrities fest -- to which you all should go add your nominations! - but here is one character I've nominated and why I think she's awesome:

Huā Mùlán, Ballad of Mulan (poem)

I grew up knowing her as Hoa Mộc Lan and I've heard of her before ever seeing her story on the screen or read it in a book: the story of a girl who disguised herself as a boy and became one of the greatest warriors history has ever known. It wasn't until years later that I'll see her on the screen as Fa Mulan in Disney's Mulan or read of her in the Ballad of Mulan, the oldest story of her recorded, and fall more in love with her legend:
  • Ballad of Mulan Calligraphy
  • Ode of Mulan by Anonymous, translated by Han H. Frankel (The Flowering Plum and the Palace Lady: Interpretations of Chinese Poetry)
  • Reflection (from Disney's Mulan) by Lea Salonga @ East West Players Awards
  • Reflection (from Disney's Mulan) by CoCo Lee
  • Reflection (from Disney's Mulan) by Kelly Chen
  • Reflection (from Disney's Mulan) by Christina Aguilera
  • Reflection (from Disney's Mulan) by Lena Park
  • Reflection (from Disney's Mulan) by อัยย์
  • Reflection (Multilanguage Mix Version) by Edyta Górniak, Lucero, Lena Park, CoCo Lee, Syria, Mélanie Cohl, Sandy and Christina Aguilera
Then there's Jingle Ma's film Mulan starring Vicki Zhao (about which I've talked a bit here):
And if you're interested, there's a cải lương (opera) of Hoa Mộc Lan here (no English translations though, sorry).

The story of Hua Mulan also appears in Naomi Novik's Throne of Jade and [personal profile] norah wrote an awesome origin story here (Ballad of Mulan/Temeraire ftw!).
I stumbled across [personal profile] anenko's squee about the film, intrigued, and when I saw that Vicki Zhao (of Red Cliff) was playing Hua Mu Lan, well, I knew I had see it. So:

» Mu Lan (2009) Official Website (English)
» Mu Lan Official Trailer (with English subtitle)
» Mulan, in brief* (spoiler-y reaction post) and Mulan: A Picspam in Two Parts: Part 1* and Part Two* (both picspams contain spoilers for the film) by [personal profile] anenko
» Mulan: In the land of Mordor where China lies... one crossdresser to rule them all. by [livejournal.com profile] darkeyedwolf.
» Yeah no seriously why am I not asleep? by [personal profile] marina.
» Hua Mu Lan by [personal profile] vi.


Downloads of the film are available here.

( My spoilerrific thoughts of the film... )

Wild Unicorns

May. 18th, 2009 08:49 pm
wistfuljane: scene from avatar: the last airbender with the caption "happydance!" (happydance)
In celebration of wild unicorns.

The Helmsman* by [personal profile] imadra_blue, Star Trek XI Gen, Hikaru Sulu, Short (2,725 words), G.

I can't remember the last time I read a work that so resonates with me. The Helmsman feels so familiar, like I've read it a thousand time before, but never in that particular light. The author gave nuances and depth to Sulu in a way that, for me, left not only impressions of the character, but also echoes of the actors who play him (Takie, Cho), of what they must have felt as Asian-American, at once confident and made awkward in their own skin. (Plus, the section with Kirk and Sulu, right there, is why I ship Kirk/Sulu so hard.)

Wild Hope** by [personal profile] butterfly, Torchwood Gen/Various, Toshiko Sato, Vid (divx/wmv), Not Rated.

Oh, Toshiko Sato, a character that deserves so much better. Wild Hope is to Toshiko, for me, what Cells* is to Owen or Breath* is to the Torchwood team. The vid captures Toshiko in all her beauty, joy and awesomeness; it is also an expression of our grief, both of the vidder and us viewers.

Five Facts Ando Learned as Part of His Epic Quest to Help Save the World (and possibly a cheerleader or two) by [livejournal.com profile] sparky77, Heroes Gen, Ando Masahashi, Short (2,166 words), PG.

Five Facts Ando Learned as Part of His Epic Quest to Help Save the World... is spot on with its characterizations of Ando, with his practicality, sensibility and being the person that grounds and inspires Hiro. Pitch perfect voice, as they say. I can also imagine Ando keeps a running list of facts he learned in his and Hiro's epic quest to save the world.

My Hero* by [livejournal.com profile] bradcpu, Heroes, Ando+Hiro, Video (xvid/wmv), Not Rated.

My Hero is Hiro's point of view in this dynamic duo of Ando and Hiro and their epic quest to save the world...thing and a wonderful compliment to [livejournal.com profile] sparky77's Five Facts Ando Learned as Part of His Epic Quest to Help Save the World.... It's is, for me, a perfect visual presentation of why Hiro and Ando are so compelling.

Two, Side by Side* by [personal profile] norah, Ballad of Mulan/Temeraire Gen, Hua MuLan, Short (6,165 words), PG.

Two, Side by Side takes an already stunning myth and made it more awesome by fusing it with the universe of Temeraire. It retells the story of Mulan as if she has a dragon companion and they joined China's aerial force. To say Two, Side by Side is brilliant, beautiful and inspiring would be redundant.